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BCASA: Fuck You Shredder
With the title of the album being repeated 80 times, it’s pretty blatant that the Bill Cosby Anarchist Society of America really fucking hate Oroku Saki aka the Shredder, nemesis to the Teenage Mutant...
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Autumns Cannon: Open Letter
Sometimes positive things are borne out of difficult situations, which seems to be the case for Autumns Cannon lead singer Shaun Francisco.
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Trigger Effect: What’s Left to Eliminate
Trigger Effect's What's Left to Eliminate breaks like a tidal wave and will send you swirling into the mosh pit.
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Filter: The Sun Comes Out Tonight
Remember the '90s? Back when Nine Inch Nails broke in such a way that it seemed that anybody with industrial-rock leanings could get a record deal.
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Light Fires: Face
Light Fires is Toronto-based pop weirdo Gentleman Reg donning drag and glamming it up as Regina the Gentlelady, creating sexed-up synth-pop with Ohjibou's James Denton.
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Faux Fur: Faux Fur
Fronted by 17-year-old Jean Sebastien Audet, Faux Fur effortlessly slides between urgent guitar-pop like "Laundromat" and the low-key minimalism of "Discolouration.
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The Motorleague: Acknowledge, Acknowledge
You listen to vinyl? Ever buy one of those Super Awesome Sunshine Disco Hits of the '70s-type compilations? It's full of massive Top-10 hits, but you've only ever heard of, like, three songs.
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Light-Heat: Light-Heat
Quentin Stoltzfus has put together some sweet, lo-fi indie pop gems.
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Sean Nicholas Savage: Other Life
Sean Nicholas Savage's prolific nature has always seemed like a gift, if one with a bit of a catch.
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Terry Malts: Nobody Realizes This Is Nowhere
Self-described chainsaw-poppers Terry Malts follow up their excellent 2012 debut Killing Time with the scuzzy, hook-laden Nobody Realizes This Is Nowhere.
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Crash Kings: Dark of the Daylight
Crash Kings came onto the scene in 2009 with their brand of high-energy piano rock, the pounding keys and frenetic atmosphere giving new life to a genre constantly bordering on sterility.
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Ryan Granville-Martin: Mouthparts and Wings
Albums written, recorded and produced by a single artist can be plagued with megalomaniacal mistakes; but Ryan Granville-Martin has done a pretty cool thing with Mouthparts and Wings, in that he’s...
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Pink Wine: Pink Wine
Pink Wine's self-titled debut is a grimy LP full of fear and loathing wrapped up in a sweet-tasting shell.
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Nine Inch Nails: Hesitation Marks
Since Trent Reznor announced the hiatus of Nine Inch Nails in 2009, nihilistic cutters and misanthropes the world over have been waiting for their demigod to return, yet Reznor has kept very busy...
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Miesha & the Spanks: Girls, Like Wolves
For most of its 10 tracks, Girls, Like Wolves crashes along like a swirl of punk chords emerging from a shambling old garage down some twisting back alley.
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The Bros Landreth: Let It Lie
Joey and David Landreth have paid their dues working as sidemen for some of the country's finest talent, but the brothers are front and centre this time.
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Golden Suits: Golden Suits
Best known as one half of Department of Eagles, Fred Nicolaus has wound together a pretty lovely collection of tunes—full of indie-pop folkiness that's sure to bring you the type of warmth usually...
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Rae Spoon: My Prairie Home
Rae Spoon's latest offering, My Prairie Home, sure sounds like the prairies: it's a slow, expansive record that curls and rolls ever so slightly.
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